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Excavating the grey area between pop culture and reality...
Wednesday, March 3, 2010 - 4:22pm

As Roger Ebert notes, this does seem like one of the easier years to predict winners, especially in the acting categories, making long-winded analysis unnecessary. For once, however, the Best Picture category is legitimately, um, up in the air with only a few days to go. However, even in that race there's a favorite, and I'm sticking with it. So let's get to those predictions.

Best Picture
This is a two-horse race between "Avatar" and "The Hurt Locker," each of which comes to the show with some negative baggage. "Avatar" director James Cameron rubs a lot of people the wrong way, and almost everyone who's raved about his latest movie qualifies their praise with something about the lackluster script and performances. Add in a little bit of negative publicity for Cameron's connection to Charles Pellgrino's debunked non-fiction book, "Last Train to Hiroshima," and you can probably count on a few lost votes. Alas, "The Hurt Locker" has been similarly compromised by allegations of inaccuracy and a violation of the Academy's campaign rules that resulted in one of its producers being banned from the Oscar ceremony. Assuming these controversies all cancel out, the buzz seems to favor "The Hurt Locker." A recent DVD release coupled with "Avatar" falling from the top of the weekly box office right about the time voters received their ballots, and it seems fair to predict... The winner will be: "The Hurt Locker"

Best Actor
Not even close. The winner will be: Jeff Bridges - "Crazy Heart"

Best Actress
Ditto. The winner will be: Sandra Bullock - "The Blind Side"

Best Supporting Actor
Ditto ditto. The winner will be: Christoph Waltz - "Inglourious Basterds"

Best Supporting Actress
Sigh. Ditto ditto ditto. The winner will be: Mo'Nique - "Precious: Based on the Novel 'Push' by Sapphire"

Best Director
Finally. Another close race that warrants discussion. Given how much bigger a production "Avatar" was than "The Hurt Locker," an argument can be made that Cameron's work constitutes a more impressive accomplishment than Kathryn Bigelow's work on "The Hurt Locker." However, while Cameron spent most of his time dealing with technology on a soundstage, Bigelow produced far better performances from her cast. Given that actors make up more of the Academy's membership than any other discipline, that goes a long way. The Academy also likes making history, albeit 10 or 20 years late in most cases, so I expect voters to make a little history this year by (finally) naming a woman best director. The winner will be: Kathryn Bigelow - "The Hurt Locker"

And all the rest...
Original Screenplay: "Inglourious Basterds"
Adapted Screenplay: "Up in the Air"
Animated Feature: "Up"
Documentary Feature: "The Cove"
Foreign Language Film: "The White Ribbon"
Art Direction: "Avatar"
Cinematography: "Avatar"
Costume Design: "The Young Victoria"
Editing: "Avatar"
Makeup: "Star Trek"
Original Score: "Up"
Original Song: "The Weary Kind (Theme from Crazy Heart)" - "Crazy Heart"
Sound Editing: "Avatar"
Sound Mixing: "Avatar"
Visual Effects: "Avatar"
Documentary Short Subject: "China's Unnatural Disaster: The Tears of Sichuan Province"
Animated Short Film: "Logorama"
Live Action Short Film: "The New Tenants"

Awards, Movies, Oscars
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Friday, February 12, 2010 - 1:27am

I love my iPhone, but its core functionality doesn't always provide the tools necessary for me to function as a mobile librarian. Faculty requests for articles are an almost daily occurrence for me, and I'm not always in my office when I get them. Yesterday, for example, I was in a lunch presentation when I got an email from a colleague with an urgent request. I didn't have my laptop with me, so I used my iPhone to track down the article. JSTOR had the document I needed, but when I displayed the PDF file in Mobile Safari, there wasn't much I could do with it except read it. I certainly couldn't save a copy or attach it to an email:

So even though I'd found the requested article, I couldn't send it to the person who needed it it until I got back to my office an hour later.

I knew there had to be a way to get a PDF out of my browser and into an email. Josh Brauer tipped me off to an app called GoodReader. It's not free, but at 99 cents it's hardly expensive. GoodReader is a PDF/TXT reader and file storage application, and because it has its own web browser one can access PDFs on the web and save them.

 

Once the file downloads, it resides in the app's  file library. From there, select it and choose the email option, which drops the file into a new email as a file attachment.

 

There's also a method for saving documents to GoodReader directly from within Mobile Safari, but I find it easier to use the app's browser since I'll have to switch to GoodReader to email the file anyway.

I've only described a small fraction of GoodReader's functionality here, but this document delivery feature alone makes it worth 99 cents. There's also a free version of the application that limits storage to only five documents.

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Saturday, February 6, 2010 - 1:05pm

Last July, while traveling home from the AALL Annual Meeting, I had a layover in St. Louis. During this travel break I checked Twitter from my phone to see if anything conference-related had happened while I was in the air. Well, the best I could find was a vendor who had used a hashtag that some of my friends and I had used to identify our clique that week. In response, someone used the anonymous @aallsecrets account to criticize the vendor for co-opting "our" identifier, and I quickly fired off a couple tweets of my own belittling the vendor, even calling him a not-so-nice name. By then it was time to board my flight to Los Angeles, so I turned off my phone and forgot all about it.

While waiting for my luggage at LAX a few hours later, I checked Twitter again. My name-calling hadn't gone over so well. Someone called me out for rudeness from the @aallsecrets account, while the vendor in question explained that he used the hashtag as a way of inviting all of us to a party that evening, something I might have realized had I bothered to pay much attention to the content of his tweet. Nevertheless, I was angry at being called out. While crafting what I thought was a witty 140-character evisceration of anyone who disagreed with me, my phone battery died, leaving me unable to crush all opposition.

Before I could publish this brief manifesto, I discovered the airport police had towed my car from the long-term lot. By the time I made it home several hours later, my self-imagined feud with this vendor felt absurd, and I was ashamed of what I'd said. So when I did finally power up my laptop and return the internet, the first thing I did was email an apology to the vendor.

That episode of name-calling wasn't the first time I'd used the web to express self-righteous anger. By then it had become something of an art form for me. Any time I disagreed with someone, it was easier to tweet something inflammatory (and passive aggressive) than to communicate directly with the person I imagined I was feuding with. In the best of possible worlds, I'd raise an issue in the most condescending tone I could muster and start a revolution of re-tweets and replies that carried my message well beyond my own meager reach.

In the days following the namecalling incident, I decided I had some growing up to do and promised myself I'd stop making everything so personal in my communication with colleagues and vendors. Anger would not be my defining emotion and hyperbole would not be my preferred writing style.

My record since then has been spotty, but improved. I've only made a handful of passive aggressive tweets about AALL (one of my biggest targets in those heady pre-AALL 2009 days) in the months since, and I believe my blog writing since last summer has become more measured and logical than it was in the past.

But I'm troubled by the overall tone of our profession's communication of late. Now, flame wars are nothing new. The law-lib listserv has seen more than a few blow ups between librarians with differing opinions over the years, and Twitter might be unrecognizable without its piles of overreaction. (Just ask Scott Baio.) Nevertheless, I don't always understand the motivations of librarians who attack one another on a personal level and generalize vendors as evil empires with illegal intent. (Yes, any statement that a vendor is trying to bribe a state employee is an accusation of criminal behavior.)

The last week has seen some intense debate regarding vendor swag and librarian ethics. One need look no farther than the comments to any of Sarah Glassmeyer's posts on the subject (here, here, here and here) to see that there is a wide array of opinions on the matter and that we have no hesitation in challenging the moral integrity of one another in the process. Those that disagree with us are labeled "biased" and "trolls" rather than just a person with a different opinion. Exaggerated conflagrations become the norm on Twitter, with educated and influential legal information professionals questioning the character of our entire profession while providing no concrete evidence of our moral decay. And when an alleged employee of Thomson Reuters Legal (TRL), the grand villain in the eyes of so many librarians, posts a comment defending the company's marketing strategy without identifying herself as a TRL employee, there is an automatic assumption of so-called "sock-puppetry," with no consideration that the alleged employee might like her place of work and decide on her own to defend it. Instead, we feel compelled to unmask her treacherous ways in the most humiliating manner possible with no concern that we might put her job in jeopardy. (Never mind that IP addresses can be spoofed.)

There is, of course, the possibility that the commenter was a sock-puppet, and that's a troubling possibility that deserves investigation. As do many of the ethical questions raised in the last week.

But within the social media wing of our profession, vendor hatred has become a badge of honor. On the announcement of new products, sight unseen, we state publicly our suspicions that vendors designed such products to increase profits at the expense of effective research, never considering for a moment that maybe those two ends aren't always in conflict.

The inflammatory rhetoric lobbed at TRL, LexisNexis and others is sometimes well-grounded, but we've reached a tipping point where any opinion short of "West sucks!" is dismissed by many. We become outraged when a vendor attempts to bypass us in their marketing, as West did with a promotional email last year. Yet if vendors talked about librarians the way librarians talk about vendors, we would be up in arms.

I understand a great deal of the anger. I find myself regularly frustrated by the decisions made by many vendors, be they marketing, pricing or design decisions. But at the end of the day, we still have to work with these vendors. We have contracts to negotiate, products to vet and dollars to allocate. Sometimes the products are good, sometimes they aren't. (More accurately, sometimes parts of a single product are good while other parts of the very same product are bad.) Sometimes we are charged too much, sometimes we aren't. Sometimes we buy the product, sometimes we don't.

But we also have choices in how we respond to our anger, even the most justifiable anger. What law librarian interest is served in publicly shaming a vendor over a disagreement?

Society loves its villains. Tiger Woods can vouch for that. So can NBC. But what did Conan O'Brien accomplish by announcing via press release his rejection of NBC's time slot change other than winning public opinion? As much as I support Conan's decision to walk away from "The Tonight Show," I can't help but notice that even after the press release, he still lost his job and the jobs of his staffers and faced a contentious negotiation with the executives at NBC. Maybe if he had called Jeff Zucker and privately said, "No thanks, Jeff," instead of speaking to the "People of Earth" he might have obtained better severance packages for his staff, a larger payout for himself, a shorter non-compete period and the rights to some of his show's recurring characters. Perhaps not.

Intelligent people can disagree on just about anything, yet they can do so in a civilized manner. That's the kind of career I signed on for seven years ago when I decided to become a librarian. Since then I've been something less than perfect in that regard, but I'm trying. And when I arrive in Denver this July for the AALL Annual Meeting, one of the first things I'll do is buy a beer for the vendor I insulted last year.

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Tuesday, February 2, 2010 - 12:06pm

Early this morning, the Academy of Motion Picture Arts and Sciences announced this year's Oscar® nominations. Leading the pack were "Avatar" and "The Hurt Locker," with nine nominations each. I think it's already safe to say the Best Picture winner will be one of those two films. You can read more about the nominations here and see a complete list of nominees here.

Yesterday, I made my predictions for the "big six" categories, and I'm happy to say I did fairly well, correctly predicting 32 of 35 nominees, only making mistakes in the Best Picture and Best Supporting Actress categories. By comparison, I only got 23 of 30 correct last year. Here's a list of nominees in those categories, annotated with my correct (✔) and incorrect (✘) picks.

BEST PICTURE (8 of 10 correct)
✔ "Avatar"
✘ "The Blind Side"
✔ "District 9"
✔ "An Education"
✔ "The Hurt Locker"
✔ "Inglourious Basterds"
✔ "Precious: Based on the Novel 'Push' by Sapphire"
✘ "A Serious Man"
✔ "Up"
✔ "Up in the Air"

BEST ACTOR (5 of 5 correct)
✔ Jeff Bridges - "Crazy Heart"
✔ George Clooney - "Up in the Air"
✔ Colin Firth - "A Single Man"
✔ Morgan Freeman - "Invictus"
✔ Jeremy Renner - "The Hurt Locker"

BEST ACTRESS (5 of 5 correct)
✔ Sandra Bullock - "The Blind Side"
✔ Helen Mirren - "The Last Station"
✔ Carey Mulligan - "An Education"
✔ Gabourey Sidibe - "Precious: Based on the Novel 'Push' by Sapphire"
✔ Meryl Streep - "Julie & Julia"

BEST SUPPORTING ACTOR (5 of 5 correct)
✔ Matt Damon - "Invictus"
✔ Woody Harrelson - "The Messenger"
✔ Christopher Plummer - "The Last Station"
✔ Stanley Tucci - "The Lovely Bones"
✔ Christoph Waltz - "Inglourious Basterds"

BEST SUPPORTING ACTRESS (4 of 5 correct)
✔ Penélope Cruz - "Nine"
✔ Vera Farmiga - "Up in the Air"
✘ Maggie Gyllenhaal - "Crazy Heart"
✔ Anna Kendrick - "Up in the Air"
✔ Mo'Nique - "Precious: Based on the Novel 'Push' by Sapphire"

BEST DIRECTOR (5 of 5 correct)
✔ Kathryn Bigelow - "The Hurt Locker"
✔ James Cameron - "Avatar"
✔ Lee Daniels - "Precious: Based on the Novel 'Push' by Sapphire"
✔ Jason Reitman - "Up in the Air"
✔ Quentin Tarantino - "Inglourious Basterds"

So who are the favorites out of the gate? My early picks are "The Hurt Locker" (Best Picture), Jeff Bridges (Best Actor), Sandra Bullock (Best Actress), Christoph Waltz (Best Supporting Actor), Mo'Nique (Best Supporting Actress) and James Cameron (Best Director). Over at Intrade, a provider of "trading, information and prediction market services," the site's users disagree with me in two categories: "Avatar" is their Best Picture front-runner by a small margin, while Kathryn Bigelow has the edge for Best Director. By this evening there should be plenty of updated gambling odds available to provide more prognostications.

The Academy Awards will be handed out March 7 at the Kodak Theatre in Hollywood.

Awards, Movies, Oscars
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Monday, February 1, 2010 - 12:09pm

Yep, it's that time of year. Tomorrow morning the Academy of Motion Picture Arts and Sciences will announce this year's Oscar nominees. The biggest news this year is the expansion of the Best Picture category to ten nominees, presumably to pull more box office hits into the mix, leading to bigger ratings for the ceremony's TV broadcast. Some of the early favorites, like "The Lovely Bones" and "Nine" have seen their stars fall upon release. In contrast, 2009 could easily be called the year of science fiction, with the possibility of no less than three sci-fi contenders making the cut, led by a little movie called "Avatar."

And so to drop the title of one of my favorite movies of 2009 that won't be nominated for a damn thing, away we go...

BEST PICTURE
The Academy's decision to expand the Best Picture category to ten nominees for this particular year is rather humorous given that there are exactly five films with any realistic chance of winning: "Avatar," "The Hurt Locker," "Inglourious Basterds," "Precious: Based on the Novel Push by Sapphire" and "Up in the Air." So to fill out the category, there will be another 5 nominees who are there just for show. The shoo-ins are: "Up" and "An Education." I think two of the final three slots will go to the year's other sci-fi hits, "District 9" and "Star Trek." That leaves one last spot for either "The Blind Side," "Crazy Heart," "Invictus," "The Messenger," "Nine," "A Serious Man" and, yes, "The Hangover." Since "Nine" fell short of critical expectations; "The Blind Side," "Crazy Heart" and "The Messenger" are all performance pictures with guaranteed acting nods, and "A Serious Man" divided audiences to violent extremes, I'm left choosing between "The Hangover" and "Invictus." As much as I'd like to see the best mainstream comedy in years get the attention, I'm betting on Clint Eastwood's luck with the Academy to continue, making "Invictus" the final nominee.

"Avatar"
"District 9"
"An Education"
"The Hurt Locker"
"Inglourious Basterds"
"Invictus"
"Precious: Based on the Novel Push by Sapphire"
"Star Trek"
"Up"
"Up in the Air"

BEST ACTOR
Usually the Best Actress category is the one with no surprises, but this it's the Best Actor nods can be easily predicted based upon buzz and critics' awards. Jeff Bridges is already the easy favorite to win his first Oscar for "Crazy Heart." George Clooney's stash of critics' awards for "Up in the Air" make him a lock, too. Jeremy Renner's intense performance in "The Hurt Locker" looks like a certainty here, as does Morgan Freeman's turn as Nelson Mandela in "Invictus." Matt Damon turned in the best performance of his career in "The Informant!" as did Sam Rockwell in "Moon," but neither actor is getting any buzz or promotion, making them unlikely nominees. Tobey Maguire saw some early hype for "Brothers," but his chances have faded since. Instead, the last man standing here seems certain to be Colin Firth for "A Single Man."

Jeff Bridges - "Crazy Heart"
George Clooney - "Up in the Air"
Colin Firth - "A Single Man"
Morgan Freeman - "Invictus"
Jeremy Renner - "The Hurt Locker" 

BEST ACTRESS
Sandra Bullock looks sure to cap a tremendous 2009 comeback with a nomination for "The Blind Side," while the nearly annual Meryl Streep slot will go to her performance in "Julie and Julia." The two breakthrough nods this year will go to Carey Mulligan for "An Education" and Gabourey Sidibe for "Precious: Based on the Novel Push by Sapphire." A lot of early attention was paid to Abbie Cornish for "Bright Star," but that film seems to have disappeared from the Oscar zeitgeist. Ditto for Emily Blunt in "Young Victoria" and Saoirse Ronan in "The Lovely Bones." Personally, I'd like to see Maya Rudolph get some notice for her great performance in "Away We Go," but a veteran in the category (and previous winner) seems a safer bet: Helen Mirren for "The Last Station."

Sandra Bullock - "The Blind Side"
Helen Mirren - "The Last Station"
Carey Mulligan - "An Education"
Gabourey Sidibe - "Precious: Based on the Novel Push by Sapphire"
Meryl Streep - "Julie and Julia"

BEST SUPPORTING ACTOR
There's no question at this point that Christoph Waltz will not only get a nomination for "Inglourious Basterds" but will stand at the podium to accept the award on Oscar night for one of the great performances of the last decade. As a result, Woody Harrelson will have to settle for a nomination this year for his lauded turn in "The Messenger." Stanley Tucci should see some recognition here as well as the one actor consistently singled out for his performance in "The Lovely Bones." While Matt Damon could get a nomination in the Best Actor category for "The Informant!" a supporting nomination for "Invictus" looks more likely. There's not been a lot of buzz for other contenders in this category, with Alfred Molina and Christian McKay generating a small amount of interest for "An Education" and "Me and Orson Welles," respectively, leaving the door wide open for Christopher Plummer to snag the final nod for his portrayal of Leo Tolstoy in "The Last Station."

Matt Damon - "Invictus"
Woody Harrelson - "The Messenger"
Christopher Plummer - "The Last Station"
Stanley Tucci - "The Lovely Bones"
Christoph Waltz - "Inglourious Basterds"

BEST SUPPORTING ACTRESS
When "Precious" first started generating Oscar attention, there was speculation that Mo'Nique's disinterest in awards and refusal to participate in promotion for the film would hurt her Oscar chances. Since then, however, she's swept the critics' awards and made some gracious acceptance speeches, so she now comes in as the front-runner by a large margin. Two actresses from "Up in the Air," Vera Farmiga and Anna Kendrick, should also see well deserved nominations. The only Oscar buzz generated by the disappointing "Nine" seems to be for Penelope Cruz, so she looks certain to grab a nomination. The last spot seems to be a battle between Diane Kruger for "Inglourious Basterds" and Julianne Moore for "An Education." Moore is more well-known to Oscar voters, but I suspect most people don't even realize she was in that movie. Unless there's a vote split with "Basterd's" Melanie Laurent (who was submitted in the Best Actress category for the SAG Awards), I expect SAG nominee Diane Kruger to get that last nomination.

Penélope Cruz - "Nine"
Vera Farmiga - "Up in the Air"
Anna Kendrick - "Up in the Air"
Diane Kruger - "Inglourious Basterds"
Mo'Nique - "Precious: Based on the Novel Push by Sapphire"

BEST DIRECTOR
I suppose I could go out on a limb here and pick an underdog like Neill Blomkamp ("District 9") or Clint Eastwood ("Invictus") to get a Best Director nod, but I'm going to stick with the same five movies I named above as the locks for Best Picture.

Kathryn Bigelow - "The Hurt Locker"
James Cameron - "Avatar"
Lee Daniels - "Precious: Based on the Novel Push by Sapphire"
Jason Reitman - "Up in the Air"
Quentin Tarantino - "Inglourious Basterds"

Awards, Movies, Oscars
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